Gold-plated brass
Three microns over solid brass, not a flash dip. It holds its colour far longer than the market standard — but it is plating, not gold.
Artificial jewellery · Jaipur
Gold-plated brass, anti-tarnish sealed, and light enough to forget you have it on. Jewellery made to be worn on a Tuesday — not kept for a someday that never comes.
Our measure
The collections
Every collection starts on paper and gets sampled in brass before it is made in any quantity. Designs retire when they stop selling — we don't pad the range.
The bestseller
Three years on the counter and still the one people come back for. A single shell pearl on a plated chain light enough to sleep in — and cheap enough that losing it would annoy you rather than ruin your week.
Inside the studio
Four stages in one building on Johari Bazaar. Most designs go from sketch to counter in about five weeks.
Every season starts on paper, at actual size. We sample one in brass and wear it for a fortnight before committing to a run.
Cast in brass, then filed, linked and assembled by hand upstairs. Stones are seated individually rather than glued in bulk.
Three microns of gold-tone plating, then an anti-tarnish seal. Thin plating is why cheap jewellery turns your skin green — this is the step nobody should skip.
Every piece is checked for stone seating, clasp strength and finish. Anything that fails goes back, not into a discount bin.
About us
Nishtha — निष्ठा — is the Sanskrit word for steadfast devotion. It started in 2014 as one stall in Johari Bazaar, run by two sisters tired of choosing between jewellery they could afford and jewellery they actually wanted to wear.
We make artificial jewellery, and we'd rather say so plainly than dress it up: brass, gold-tone plating, cubic zirconia and shell pearls. Nothing here is solid gold, and nothing here pretends to be an investment.
What we do take seriously is the finish — the plating thickness, the clasp, the way a stone is seated. That's the difference between a piece you wear for two years and one you throw away after a wedding.
Ananya SharmaCo-founder & head of design
Materials & finish
Every piece leaves with a card saying exactly what it is made of. Artificial jewellery has a reputation — we'd like to spend ours differently.
Three microns over solid brass, not a flash dip. It holds its colour far longer than the market standard — but it is plating, not gold.
A protective coat over every plated surface. If a piece tarnishes within twelve months of normal wear, we replace it.
Cubic zirconia, glass and resin stones seated one at a time rather than glued in a tray. Set stones stay in.
Skin-safe alloys throughout, so these can be worn by people who usually react to costume jewellery.
Lookbook
Photographed on customers, in their own clothes, in the week the piece arrived.
In their words
I bought the Meera for a friend's wedding and then wore it to work for a year straight. The plating still hasn't turned.
Six things bought here and not one has gone green on me. That's a low bar, and almost nobody clears it.
The bridal set looked like my grandmother's in every photograph — at a price I could say out loud.
Visit the studio
The counter is open six days a week — come and try things on, or tell us what you're looking for and we'll send photographs the same day.